In all species, the play of the young is practice for the essential survival tasks of the adults. Human children play at many things, but the most important is the play of culture. Out of sight of adults, children learn and practice the rhymes, rituals, and institutions of their own culture, distinct from that of adults.
The Western child today is mostly kept inside his own home, associating with other children only in highly structured, adult-supervised settings such as school and sports teams. It was not always so. Throughout history, bands of children gathered and roamed city streets and countrysides, forming their own societies each with its own customs, legal rules and procedures, parodies, politics, beliefs, and art. With their rhymes, songs, and symbols, they created and elaborated the meaning of their local landscape and culture, practicing for the adult work of the same nature. We are left with only remnants and echoes of a once-magnificent network of children’s cultures, capable of impressive feats of coordination.
Iona and Peter Opie conducted an immense study of the children’s cultures of the British Isles. The Lore and Language of Schoolchildren (1959) is comparable in richness to Walter Evans-Wenz’ The Fairy-Faith in Celtic Countries (1911) on the fairy faiths, or to Alan Lomax’ collections of American and European folk music.